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In the next programme in the series, we are looking at Musical Fingerprints Part 10.
What are these?
These are the unique characteristics of individual composers, instruments, periods of music, musical styles and specific compositional types that an observant listener will immediately identify.
Today we look at the Keyboard music of the Piano in the nineteenth and twentieth centuries.
Even if this is something you already know, join me anyway for music by Debussy, Ravel, Schoenberg, Bartok and Schumann Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Claude Debussy: L’Isle joyeuse L106 Performed by Vladimir Horowitz · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Arnold Schoenberg: Piano Piece Op33a – Mässig Performed by Maurizio Pollini · Bela Bartók: Three Rondos on Folk Melodies Sz84: No 1 Andante Performed by Bela Bartók · Bela Bartók: Allegro barbaro Performed by Dezsö Ránki