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We conclude this section of the “about Music” introduction to Musical Structure, taking the structure of Ternary Form to the next level and introducing Rondo form. These two structures pop up in unusual places, but more often they are integral parts of almost all multi-movement works, such as Concertos, Symphonies, Sonatas, and more. So it’s worth understanding them!
And, why would I include “Land of Hope and Glory”? Join me, and find out!
So what happens next week? Something new … based on something old. Peter Ilyich Tchaikovsky: Elegy for Strings (Elegy for Ivan Samarin) 1884 Performed by the London Chamber Orchestra, with Christopher Warren-Green · Gabriel Faure: Sicilienne from the Incidental Music to “Pelleas et Melisande” Opus 80 no 4 Performed by The Boston Symphony Orchestra conducted by Seiji Ozawa · Johannes Brahms: Romance. Opus 118 no 5 Performed by Radu Lupu · Ludwig von Beethoven: Für Elize, Bagatelle no25 in A Minor, WoO 59 Performed by Igor Levit · Louis-Claude Daquin: The Coucou Performed by Robert Aldwinckle · Frans Anton Hoffmeister: Concerto for Viola (third movement) Performed and conducted by Gérard Caussé with the Solistes de Montpellier-Moscou · Emanuel Charbrier: Scherzo-Valse from the “Suite Pastorale” Movement 4 Performed by the Wiener Philharmonic conducted by John Eliot Gardiner · Wolfgang Amadeus Mozart: Piano Sonata no 4, K282, (second movement) Menuetto I-II Performed by Mitsuko Uchida · Wolfgang Amadeus Mozart: Symphony 40, K550, (third movement) Performed by the London Mozart Players · Edward Elgar: Pomp and Circumstance March Opus 39 no 1 Performed by the London Symphony Orchestra conducted by David Parry